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If you're upgrading from an earlier version of SONAR, version 8 is the upgrade that was designed specifically for you. With SONAR 8, more so than any previous SONAR upgrade, we've asked our customers to tell us what features and enhancements they want. We've listened. Check out the extensive list below.
Upgrading from an Earlier Version? Click here to see what's been added with each new version.
New features, optimizations, and workflow enhancements include:
Loop Explorer 2.0—view provides browse and preview of audio and MIDI groove clips and patterns; quickly drag and drop loops and patterns into the track view; MIDI groove clips and patterns can be previewed with the virtual instrument of your choice.
Dedicated Instrument Track—single track optimized for mono or stereo virtual synths which simplifies the process of working with virtual instruments. In the pursuit of offering users options in how they want to work, the multi-track method of using virtual instruments employed by previous versions of SONAR is still supported. In addition users can split and combine instrument tracks to/from discrete audio/MIDI tracks.
SONAR Performance Optimizations—with focus on functionality including improved performance at high track counts and low latencies, faster launch time, and the ability to change audio devices without restarting; streamlined communication with VST plug-ins and Improved ASIO performance with output latency compensation.
User Interface optimizations—smoother display when resizing windows and panes, optimized metering, more responsive zoom and scroll.
Editing Enhancements:
Clip Selection Groups—Furthering SONAR's multitrack recording and take management capability, SONAR now automatically groups clips together across tracks after each recording pass — perfect for comping any multitrack ensemble performance, especially drum takes.
Aim Assist Cursor—Visual guide to assist in lining up tracks for precision editing.
Split and Mute Tools—can now edit multiple clips simultaneously.
Free Edit Tool—for performing edits by clips or by time without the need of a modifier key.
Recording Enhancements:
Live Effects and Soft Synth Recording—play and record effect and soft synth output into audio tracks in realtime using SONAR's live bounce feature.Anytime Recording—while the SONAR transport is running or looping users can now arm/unarm audio and MIDI tracks, punch in, punch out, and toggle between play and record.
Mixing Enhancements:
Exclusive Solo Mode with Solo Override—New solo mode forces soloing to one track/bus at a time and prevents tracks and buses from being muted when other tracks/buses are soloed.
Bus Inputs QuickGroup Command—automatically groups all source tracks feeding a selected bus.
Mono hardware outputs—for easy assignment of tracks and buses to individual hardware outputs in addition to stereo pairs.
Control Enhancements:
Transport Updates—True Rewind, Fast Forward and Pause Buttons; Audition Button; Improved Jog/Shuttle Heuristics; optimizations for control surfaces and scrub performance.
Control Surface Enhancements—Show/Hide Tracks from Surface can follow either the Track View or Console View, obeying visible/hidden tracks, Control Surfaces MIDI port assignments retained/stored in SONAR, Real-World VST Parameter Values are now displayed.
Track View and Console View Sync now automatically syncs visible/hidden tracks between the Track View and Console View channels.
Additional Enhancements:
Enhanced Sample Rate Conversion — now employs the same fast convolution engine as the LP-64 series 64-bit mastering plug-ins.
Vista Audio — WASAPI support, which is compatible with any Vista audio device, including WaveRT PCI and motherboard audio, USB, and FireWire devices.
QuickTime 7 Import/Export —support for the latest QuickTime 7 codecs, including H.264 and AAC audio.
Workflow Enhancements include:
Insert Send Assistant—provides a fast and easy way to create effect buses and insert sends to new or existing buses.
Updated ACT Presets —mappings for popular plug-ins and controllers.
Templates — over 400 new production ready Track Templates and Project Templates.
Drum Maps & Presets — Updated Drum Maps and Plug-in Presets enhancing our most popular plug-ins.
Patterns — New collection of drum pattern presets for the integrated Step Sequencer.
New Instruments Include:
Beatscape loop performance instrument —Beatscape, the latest instrument by Cakewalk's premier synthesis architect René Ceballos takes loop manipulation and realtime triggering/performance to new heights. Beatscape provides 16-pads to load and trigger loops or samples for sequencing your productions and beats. Each pad features a full powered REX player, Rapture-style step generator, multiple effect processors, and sophisticated groove slicing and dicing tools powered by Cakewalk's own AudioSnap slicing technology.
Drag and drop audio directly from SONAR onto the Beatscape pads and it's sync'd and ready to go. Use the built in browser to quickly load clips and loops from your collection of previously recorded material, or choose from the massive 4GB REX library of included beats, breaks and phrases in a multitude of genres ranging from house, drum n' bass, hip hop, techno, glitch, latin, reggaeton, and more from the pros at Heatseekers and X-MiX.
Beatscape is the ultimate remixing instrument. Combine audio clips from multiple recording sessions and use the 16 pads to sequence them live or into a SONAR track. Easily load key clips or loops from two separate projects, blend them together, and trigger one shot samples—all on the fly from Beatscape's up-front interface.
Features include:
Dimension Pro —SONAR now includes a full version of the acclaimed synthesizer that combines real instruments with advanced synthesis for endless sound possibilities. The underpinnings of Dimension Pro's creative possibilities is the powerful Cakewalk's Expression Engine providing several types of synthesis including multi-sample rendering, wavetable synthesis, waveguide synthesis, and REX playback and manipulation.
Included Content for Dimension Pro
TruePianos Amber VSTi Module —One of four modules that currently ship with the full version of TruePianos VSTi, the TruePianos Amber Module will provide SONAR users with world-class, playable piano sounds through its combination sampling, modeling, and synthesis sound design. TruePianos sounds and feels great, just like a real acoustic piano, with all the important characteristics: sympathetic resonance, inter-string harmonics, repedalling and more.
New Effect Processors Include:
TS 64 Transient Shaper —a powerful tool for sculpting the transient dynamics of any percussive based source material such as drums or guitars. The TS 64 Transient Shaper employs powerful envelope/transient-detection, linear-phase filtering, and gain-shaping to control the dynamics of individual transients of any sound with amplitude variation over time.
The TS 64 Transient Shaper utilizes the same superior linear-phase technology found in SONAR's LP-64 EQ and LP-64 Multiband where the frequency spectrum is split into bands and then summed back together while maintaining the integrity of all processed audio across all frequencies. This provides clear precise control of the timbre of each detected transient without introducing coloration, phase errors, cancellations, comb filtering, or muddy sound.
TL-64 Tube Leveler —a line driver/leveling processor that employs advanced analog vacuum-tube circuit modeling algorithms to add the unique qualities of tube color and warmth found in classic recordings to whatever source material it is applied.
TL-64 provides intuitive controls to determine the level and character of analog tube saturation, from subtle "warming" to hard-driving saturation. The TL-64 plug-in features a unique selectable Dynamic Response Filter control that when engaged employs a dynamic (versus static) tube model algorithm. The dynamic tube model behaves more like a real vacuum tube in that its characteristics change over time depending on the input signal. There is also a Bass Compensation control that compensates for any reduction in bass material as a result of low-shelf filtering. The Bass Compensation filter allows you to reduce clipping in the bass bands while still maintaining a flat output response.
Channel Tools—provides easy and powerful zero-latency channel processing for adjusting L/R channel placement, gain, pan/width, and phase; sample delay for precision timing adjustment of L/R channels in recordings; Automatic Mid-Side decoding of imported Mid-Side recorded material. Channel Tools can also provide a widening or narrowing effect to stereo recordings through adjustments to mid-side gain.
Native Instruments Guitar Rig 3 LE —built on the latest award-winning guitar amp modeler from Native Instruments; 3 amps and cabinets, 11 effects, tuner, metronome, and over 50 presets.
SONAR 8 Producer Exclusive



This is the first of our “Emuration” line. Emuration is what we call comparative emulation based on impulse responses. It is made of several impulses at varied levels of intensity all on the same unit. If you are wanting to add thick rounded yet still detailed sound to your mixes then you should give the “Big Hurk!” demo a try
Electronic music producers (especially in Hip-Hop) have always been aware that classic samplers (such as early Akai and EMU units) had a character and sound of their own. They added a "grit" and "colour" to the samples and loops they played back which made them sound "Fat" and sit well in a mix.
This sound colouration was due to the encoding techniques, lower sample rates, lower bit rate and conversion circuits which these early samplers used.
Decimort recreates this colouration and adds the vintage sampler magic to any loop, bass line or sound played through it. It also acts as the perfect bit crusher with filter.
Low quality sometimes is desired
The Decimort effect unit is from the SilverLine family of plugins. It is a premium grade bit crusher. The complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter.
Decimort has no internal aliasing. The only aliasing effect present in the system is the modelled aliasing of the classic samplers we modelled when creating it. Undesired artefacts are not present in the processed signal. Only wanted artefacts remain. A further very steep low-pass filter, synchronised to the signal frequency, can be applied at the end of the signal path to absolutely ensure that no unwanted out-of-band signals remain.
Two in one
Decimort is also equipped with analogue like filters with adjustable resonance that allow further sculpting of the signal. These can be used to smooth the sound or remove more of the sonic artefacts introduced into the signal path by the modelling process.
Totally independent
Decimort can process the right and left channels of a stereo signal completely independently. This allows all path parameters to be set differently for each channel. This can be used, for example, to create the impression of a wider stereo stage.
Alternatively, both channels can be linked to set path parameters to the same value for both right and left channels.
Requirements
Decimort is available in VST and AU format for both platforms (PC and Mac). It's a dynamic library (.dll file) for PC (VST only) and Universal Binary bundle for Mac (VST and AU).
To use the product you need Windows 2000/XP or Mac OS X 10.4.3 or later. It's not a standalone program so you need a VST or AU compatible host application to use it.
More Info: http://www.d16.pl/index.php?menu=203

UniRetroPro is finally ready.In the next week you can buy it here.
SoundHack Delay Trio is a group of three plugins derived from the same basic delay algorithm: a hermite interpolated delay line with variable modulation, and a feedback loop with dc blocking and saturation. Pitch shifting is achieved with a dual head crossfading delay (ala Eltro Tempophon/Dennis Gabor/Pierre Schaeffer phonogene) and is decidedly low-fi. The saturating feedback also allows them to be great drone and noise generators.Softube is also announcing the immediate availability of the Effect Bundle plug-in pack, featuring Spring Reverb, Tube Delay, and Acoustic Feedback for VST, AU, and RTAS ($229 excl. VAT full product, $149 to upgrade from one of the plug-ins, $49 from two).
Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual strings around for those thunderous spring effects, and a Tension control that tightens or loosens the springs to cover a wide range of spring reverb sounds.
Features:
Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual strings around for those thunderous spring effects, and a Tension control that tightens or loosens the springs to cover a wide range of spring reverb sounds.
Springs Control the number of springs in use. There are three sets of springs in the reverb unit and you can choose how many of the sets you would like to use. Set the control to ONE for a more pronounced springy sound and to THREE for a smoother sound. |
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Available for VST/AU/RTAS.


Hailed as a "holy grail of recording," by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation. All with a user-interface that is a model of clarity, speed and ease-of-use.
For most common pitch problems, Auto-Tune Evo's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style.
For meticulous tweaking, the Graphical Mode displays the performance's detected pitch envelope and allows you to specify the desired pitch using a variety of graphics tools. This mode gives complete control over the correction or modification of the most elaborate expressive gestures.
Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, to save that otherwise once-in-a-lifetime performance, or to create striking special effects, Auto-Tune Evo is the tool of choice.
Prepare to be amazed.
While Auto Tune’s patented technology has always provided unmatched speed, accuracy, and audio quality, for Auto-Tune Evo, Dr. Andy's gone back to the proverbial drawing board to create a seriously evolved voice processing technology that takes advantage of the hugely more powerful computers that are now the norm for digital audio recording.
The result is Evo™ Voice Processing Technology, offering powerful new features and capabilities along with pitch detection and correction that is substantially more accurate and reliable over a much wider range of audio input quality.
General Features
Dramatically enhanced core technology: Evo™ Voice Processing Technology takes advantage of the power of today's computers to provide powerful new features and enhanced tracking and correction capabilities.
Redesigned user interface: Continuing the process begun with Auto-Tune 5, we have again refined the Auto-Tune user interface to allow for smoother, more intuitive workflow.
Reorganized common controls: With the addition of the new pitch shifting, formant correction, and throat modeling capabilities, we have reorganized the common control area to ensure that all of the parameters used by both Automatic and Graphical correction modes are easily available at all times.
Automatic Mode Features
Real-time pitch shifting (Native versions only): Auto-Tune Evo’s new Transpose control provides extremely high-quality real-time pitch shifting over a two-octave range (+/- one octave in semi-tone increments).
Formant correction (Native versions only): While Auto-Tune’s classic pitch adjustment technology still provides the optimum results for the very small intervals typical of conventional pitch correction, for larger intervals or outright pitch-shifting, engaging Auto-Tune Evo’s Formant Correction function preserves vocal character over a much wider pitch-shift range.
Throat modeling (Native versions only): Utilizing the latest incarnation of Antares’ unique throat modeling technology, the new Throat Length control actually allows you to modify vocal character by passing it through a variable-length physical model of the human vocal tract.
Graphical Mode Features
Resizable Graphical Mode window: In most hosts, Auto-Tune Evo’s Graphical Mode window can be resized in real-time, limited only by the size of your monitor. (In hosts that don’t support real-time resizing, the window size can be set in the Options dialog. In VST hosts, resizing is limited to a maximum size of 1600 x 1200 pixels - still not too shabby.) .
New Note-based pitch correction and pitch shifting: In addition to Lines and Curves, Auto-Tune Evo introduces an entirely new method of pitch editing: Note Objects.
Clicking the Make Notes button causes Auto-Tune Evo to analyze the tracked audio and create graphic representations of the target notes (which can be fine-tuned with the Number of Note Objects control). These objects can then easily be edited, shifted in pitch, and individually pitch corrected or retuned. New Note Objects can be drawn with the new Notes Tool, and the transitions between Notes can easily be customized with the Curve Tool.
Object-based Retune Speed settings: In one of Auto-Tune Evo’s functionally most powerful changes, Retune Speed is now an independent property of each individual correction object (Curve, Line or Note). Since each object can have its own Retune Speed setting, you will no longer need to automate Retune Speed to get the optimum rate for each note of a performance.
Customizable object-based default Retune Speeds: Since you will typically use different pitch correction objects for different tasks (e.g., traditional pitch correction, pitch shifting, T-Pain-style effects, etc.), you can streamline your workflow by setting your own custom default Retune Speeds for each type of object (i.e., Curves, Lines, and Notes) in the Options dialog.
Real-time display of output pitch: In addition to Auto-Tune’s traditional Tracked Pitch, Line, and Curve plots, Auto-Tune Evo provides a new Output Pitch plot that displays the exact output pitch based on the current Retune Speed. This plot updates in real time as you adjust the Retune Speed, so there’s never any doubt about the precise effect of each setting.
Comprehensive programmable keyboard shortcuts: Auto-Tune Evo’s new Key Binding system lets you assigned virtually any Graphical Mode function to each of the QWERTY number keys (i.e., the number keys across the top of your keyboard). So no matter what your personal editing workflow, you can ensure that your most-used functions are always only a key press away.
New Pitch Graph display mode: The new “Lanes” display mode is particularly useful when using Note Objects for pitch correction or pitch-shifting individual notes.
Global transposition, formant correction, and throat modeling: As described up in the Automatic Mode features, these functions are also available when working in Graphical Mode.
Graphical Paste function: The new Paste function displays a graphic representation of your copied data and lets you visually place it at the desired destination before finalizing the Paste. (Perfect for copying Note Object-based edits to other parts of a track.)
Enhanced pitch displays: Auto-Tune Evo provides simultaneous displays of Tracked Pitch, Correction Object Pitch, and the resulting Output Pitch at the current cursor location.
Nudge controls for pitch correction objects: To aid precise editing, the new Nudge controls let you move selected object(s) up or down in precise one pixel increments.
And lots, lots, more...

comes as TWO PLUGINS ( in demo you have only the insert effekt).
First as an ' INSERT EFFECT ' for manipulate external ( mic , audio track) and internal sounds!
Second as an ' VST INSTRUMENT ' using your own samples, vocode it and play it like a normal VST instrument.
Two banks with 2x17 filters 12/24/... 48/dB do the soundwork. We have implement 2 sampler , one 7 waveform oszillator, a voice/unvoice processor, pitch shift, an 'input select-matrix', one '17x17 filter-matrix', 'the finetune-matrix' and a 'live matrix'.
There is also a dynamic ' orginal voice / vocoder voice' switch. This allows you to vocode single words .
Nice effect is given if you modulate the 'filter release time' and the 'filter pich shift' via 'live matrix' automation.
-do you want more- the manual is include the VOX-POPULUS VOCODER DEMO.
30 Days working demo.
Many features but let speak VOX-POPULUS for itself.
IN THE END ONLY THE SOUND COUNT'S
Have fun with the TubeOhm Vocoder VST plugin.


"the ultimate sampled acoustic drum kit ... awesome stuff ... " - awarded 9/10, Computer Music, 2006.
News March 26 2008: NDK is now shipping. Atelier Robin Inc (www.atelierrobin.net) is pleased to announce that it has acquired the worldwide copyright to the ns_kit7 drum kit samples library from Natural Studio (www.naturalstudio.co.uk) . ns_kit7 is a multi-gigabyte single-strike drum and cymbal sample library with highly extensive velocity layering and articulation options, allowing for the ultimate in realism and performance. Atelier Robin has renamed the library to Natural Drum Kit (NDK) and plans to continue offering and adding value to NDK for years to come. You can order NDK on DVD or as an Internet download from our order page.
© 2009 ·AudioWare News! by TNB